The Midnight Juggernauts are one of the newer bands emerging from the synthpop-dance trend of Australia. The 2007 album Dystopia provides a very indie spin on 1980's synthpop music. The resulting sound is danceable, yet still retains an un-accesible element much of indie music provides. Enjoy!
Lily Allen is one of my new favorite artists. Off of her 2009 album It's Not Me, It's You the majority of songs focus on the demise and torture relationships can bring. "It's not fair" is a prime example. "22" provides a social commentary of the predicament modern women face about rejecting the whole ideal of a man "completing" her while still maintaining healthy relationships. Finally, my favorite song is "Fuck You". The GLBT community has taken this song as an anthem because of the lyrics:
So you say it's not okay to be gay Well I think you're just evil You're just some racist who can't tie my laces Your point of view is medieval
Fuck you, fuck you very, very much, 'Cause we hate what you do And we hate your whole crew So please don't stay in touch.
Awesome, simply awesome. No matter your sexuality, I think the message is pretty clear: be f*cking tolerant. Look for the clip here. (Embedding disabled, sadly). Enjoy!
Timbaland assembles quite the cast for his 2009 "Morning After Dark." SoShy and Nelly Furtado assist in providing a oddly danceable hit. In promoting the single, Timbaland stated that the song was inspired by the insurgence of vampire based entertainment, think True Blood and the Twilight series. So, vampiresque has made it into hip hop now. Enjoy!
Heh. Since I posted the Bravery, had to post one from the Killers on the same day. I love when bands get into petty feuds. But I have to agree with Flowers from the Killers, the two bands sound very similar. At least the lyrical genre is different. The Killers construct the imagery of the middle-west of the United States while the Bravery have a much more urban East Coast club sound. Either way, they both are entertaining.
The British sounding, NYC band has been a staple of my playlist since 2006. Aside from their continual feud with the Killers, they produce a very danceable music. Above is "Slow Poison" from their 2009 album Stir the Blood. I believe "Red Hands and White Knuckles" and "Song for Jacob" are the two standout songs from the album. Below is "Time Won't Let Me Go" from their 2007 album The Sun and the Moon. Enjoy!
Rihanna provides a well constructed ballad "Russian Roulette" off of her new 2009 album Rated R. Still parsing the album myself, and with holiday travels, I'll have to make my full (brief) comments under a different video. Still, enjoy!
Ladytron often verges on shoegaze dance-rock. The beats are often a little too slow to dance to, but a little too fast and defined to allow the listener to fall asleep (no insult, just a unique sound). However, a few of the songs like "Destroy Everything You Touch" provides a good club sound, especially for an energizing "get a drink and throb with the music" track. I posted "Runaway" from the 2008 album Velocifero because it actually has a music video to it, but I prefer to play "Deep Blue" in DJ settings because of the better constructed beat and progression of the music. Still, enjoy this complex electro band.
The indie-electro-dance seemingly exploded in 2009 as the once sideline occupiers decided to hop on the dance floor and cut loose. Along with the popularity of MGMT, Passion Pit busted onto the scene with the 2009 album Manners. Many accessible songs are on the track, so accessible that "Sleepyhead" has appeared in several Palm commercials. Either way, the unification of indie and dance provides a very unique element to the modern dance floor. Enjoy!
A classic, made famous by a car commercial, Dirty Vegas' Days Go By represents a classic early 2000's club dance hit. I also really like the premise of the music video, because if you know me, I am a hopeless romantic at times. Enjoy!
This song initially caught my interest because of the play on "Audacity of Hope." Overall, the danceable beats provided by Simian Mobile Disco transforms the minimalistic "Audacity of Huge" from the 2009 album Temporary Pleasure into a very danceable outing.
I must admit, the first time I heard She Wants Revenge, I confused this California based Indie Rock band with Interpol. If you listen to "Tear You Apart" from the 2006 debut album She Wants Revenge, I think you will understand my confusion. However, the sound that the band puts out is a great counterbalance to the bright pop that is heard on the radio and provides a darker element to a dance club. Enjoy
MGMT's 2007 "Oracular Spectacular" heralded in the new age of indie dance. Throbbing beats, bare synths, driving lyrics, in short, MGMT delivers. Kids is probably the most widely recognized song from the album and possibly one of the most recognized chord/beat deliveries of the past decade. The music video is appropriately indie / creepy. Enjoy!
Leave it to the British. The Ting Tings hail from across the pond and this simple duo packs a punch of music. The 2008 We Started Nothing leaked such hits at "That's Not My Name" and "Shut Up and Let Me Go." After seeing these two live at the All Points West Festival this summer, I am pumped for their next album scheduled to be released in 2010. Enjoy!
My current mixer is the Numark 5000fx. I kinda like this one as an advanced introductory DJ mixer, as it contains five channels (instead of the normal two) and some FX settings to play around with on your vinyl. Kinda pricey to start off with, when I got it it was near $500, but I think overall it was worth it. I enjoy playing around on it!
Another great hit from the Yeah Yeah Yeahs, Heads Will Roll from their new-ish album "It's Blitz" presents another danceable outing from this NYC band. The song contains similarities to Goldfrapp's earlier work and the video displays a major Michael Jackson "Thriller" influence. Overall, a very entertaining outing and possibly a good indie addition to the playlist.
Major Lazer has conquered the hip-hop/indie fusion. Slowly, they are beginning to teach the indie kids to dance again by presenting easily accessible and well crafted dance music. A prime example is Keep it Goin Louder off of the 2009 album "Guns Don't Kill People... Lazers Do." I am slowly adding songs from their albums to my normal rotation, the crowds seem to respond. Enjoy!
Yeasayer is quickly becoming one of the cutting edge indie bands combining slightly danceable music with complex melodies and rhythms. Ampling Alp is actually from the 2010 album "Old Blood." The album leaked on the internet early in December of 2009, the whole thing is an enjoyable listen (so I have read...). Look out for the album early 2010, but for now, enjoy this Brooklyn based beats.
To kick of the DJ Gear section, I am actually posting something that I want and do not have at this point. All my observations are pretty anecdotal then. However, the Novation Launchpad looks like a really cool MIDI controller. A simple USB connection to your laptop and you are all set to go. With each button lighting up, the overall look is also appealing. I may have to save up and snag me one of these. See it in operation in the video below.
The DJ duo N.A.S.A. invites major acts such as David Byrne, Kanye West, Lykke Li, and Santogold to perform in studio hip-hop mixes. Rather than simply mixing the finished products, N.A.S.A. produces music that sounds premixed. Their 2009 album Spirit of Apollo packs many surprises, my favorite being Kanye West's contribution on Gifted. Overall, great indie-hiphop.
Any compilation with Beck is awesome. The music video is as disjointed and trippy as the song. Way to go indiehood! Heaven Can Wait is off of her new album "IRM" which Beck helped out on. And hey, as a man, I am forced to like it. If I said anything bad about it, she will do to me what she did to Willem Dafoe in Antichrist. (Bad joke, but I am slightly horrified by the premise of that movie...)
I have been resisting posting about Lady Gaga's new album "The Fame Monster". However, she is quickly becoming the queen of dance for a new generation. The song Bad Romance from her 2009 album seems to surpass the previous songs on her debut album "The Fame". Additionally, the song Dance in the Dark brings a deeper and almost Depeche Mode element to the entire album. Additionally, she is also achieving groundbreaking collaborations such as Telephone, a musical phone tag between Beyonce and Lady Gaga. Overall, if this is the level of Lady Gaga's sophomore release, she is going to be a mainstay on dance-floors for years to come.
Little Boots (Victoria Christina Hesketh) is delivering the pure British electropop sound on her 2008 album Hands. Stuck on Repeat exemplifies the sound she is able to create with her voice and a synthesizer. A very processed sound is created, but with the repetitive beats and lyrics, the music becomes very danceable. Enjoy!
David Guetta is becoming a staple of dance music these days. He collaborates with major names in the industry like Chris Willis and Akon to give each of his albums and songs an unique feel. Love is Gone is one of my personal favorites from the 2007 album Pop Life. The 2009 album One Love also provides major hits like When Love Takes Over. Overall, very danceable, entertaining, and distracting.
Ladyhawke provides a very laid back approach at times to danceable rock. My Delirium is a prime example of her technique. Note, the video is also very simple (prior to the cartoon that is...). Enjoy.
The Presets produce an interesting sound, merging electronic dance with indie rock. On their previous album (Beams), I enjoyed the track "Girl and the Sea". It provided an interesting story with a progressive beat and harmony. Now, they are gaining attention with dark and danceable music like "If I Know You." The music video was awarded 2009's best dance music video at the UK Music Video Awards. As we all know, the British are often ahead of Americans on musical taste, so expect to see the Presets to catch on a little more.
On December 5th, 2009 I made my way back behind the turntables for our first annual Decades Dance Party. My Co-Hosts, P and M, made sure that my transition to DJing went smoothly. Advertising and organization were handled perfectly leading to the packed mayhem seen below.
All in all it was a great experience. The bartenders at the Chanty claimed that this was the largest crowd that they have seen since the New Year's Party. Yay us! My own personal high point was playing "Living on a Prayer" by Bon Jovi as my final song. Gotta say, the crowd responded. Thanks to all those in attendence and especially to all those who helped tear down and set up.